Whenever I work on an illustration, the objects don’t always have to look like they do in real life. They can look like how I perceive them in my mind. Breaking away from reality is the privilege you have as an illustrator. There are, in fact, no boundaries. Illustrating is creativity in its pure form. It is endless and that’s why I love it so much.
The illustration above is an inspiring example of using geometric shapes to create a bicycle with a minimum of detail. Sit back, relax, and feed your appetite. Here’s your monthly dose.
It’s been almost five years since Photoshop Etiquette launched, which officially makes it a relic on the web. A lot can happen on the web in a few years, and these past five have illustrated that better than most.
In 2011, everyone was just getting their feet wet with responsive web design. The traditional comp-to-HTML workflow was only beginning to be critiqued, and since then, we’ve seen a myriad of alternatives.
Hundreds of tools may be available for interaction designers, but there is still no industry standard for interaction design the way Photoshop and Illustrator are to graphic design. Popular programs are out there, but many of them have considerable drawbacks, which has led me to explore alternative apps.
I eventually chose Adobe InDesign for much of my preliminary interaction design work. Yes, you read that correctly: InDesign, a desktop publishing app originally created for designing books and magazines, is currently my tool of choice for designing low- to medium-fidelity wireframes and interactive prototypes.
Getting t-shirts printed is an ideal way to promote your business, organization or event. They are a promotional item that people can actually use, and they have the added bonus of being an advertisement for you. In this post, Adobe Illustrator will be used to create a three-color screen print using a fictional company logo, and have it set up to allow a screen printer to easily print the color separations that create the separate screens for each color print.