With the rise of web fonts as well as affordable hosted web font services and ready-made kits, typography is reclaiming its title as design queen, ruler of all graphic and web design. [Links checked March/06/2017]
At the same time, for far too many designers, the primary concern about typography today seems to be aesthetic in nature. The problem is, we tend to use typography and lettering as two interchangeable terms, which they are not.
Designing For The Reading Experience
I’ve always wondered, “What is it that makes a typeface or any other design good?” However simplistic this question may seem to typographers, it is a legitimate question many of us are trying to answer.
After several years working as a professional type designer, teaching, and running a type foundry, I pretty much gave up my attempts to find a golden set of rules. The answer is not so simple.
A Critical Approach To Typefaces
Update: Hours after the publication of this article Indra Kupferschmid published an article in which she corrected some of the facts presented in the original article and provided an opposite view on the issue. We republished Indra’s article to correct the factual errors, with her permission of course. Make sure to check the corrections before reading this article.—Ed.
The other day someone sent me a link to a website with the preposterous title of “The 100 Best Typefaces of All Time”.
Originally posted here –
Why Won’t Helvetica Go Away?
Web typography has evolved a lot over the last years. Today we see rich, accessible typography, a plethora of type design choices for the web and a number of remarkable, type-based web designs. It’s a great time for web design, and it’s a great time for web typography. Still, being as excited as we are, we should not forget about the foundational principles of good type design on the web and use them properly within our projects.
Web Typography: Educational Resources, Tools and Techniques
Creating great typeface combinations is an art, not a science. Indeed, the beauty of typography has no borders. While there are no absolute rules to follow, it is crucial that you understand and apply some best practices when combining fonts in a design. When used with diligence and attention, these principles will always yield suitable results. Today we will take a close look at some the best practices for combining typefaces — as well as some blunders to avoid.
See the article here:
Best Practices Of Combining Typefaces
Every now and again designers stumble upon the very same problem: the choice of a unique and beautiful typefaces which manages to fulfill three basic tasks. Support the corporate identity, enrich the visual appearance and is compatible with the overall design. However, usually there are simply too many options you can consider, which is why you need time to find the option you are most comfortable with. Although the choice usually depends on clients’ requirements, it is necessary to have some pretty starting points for your font decision.
80 Beautiful Professional Fonts